I am drawn to creating work that reflects the impermanence of being and the quiet interdependence that weaves all things together. My sculptures often become autobiographical—material interpretations of myself at different states of existence and experience. They act as vessels for time, memory, and a felt sense of knowing, each piece an embodied moment of becoming. Built through layers of stitch, binding, and repetition, they emerge from the act of drawing fragmented threads into form. It is this process—of assembling the scattered into something whole—that compels me. Yarn frays, fabric thins, structures unravel. In their slow dissolution, I recognize myself, shifting and undone by time. These forms are not fixed; they are offerings to the fleeting, tactile echoes of being—quiet reminders that all things change, and nothing is ever truly still.